In 2001, the band self-released the pivotal live "Mint Jam" recording, with Marcus Baylor now essentially the band's full-time drummer. Since that time, the Jackets signed a deal with the HeadsUp International label, and have since released "Time Squared", the holiday release "Peace Round" and, most recently, "Altered State".
"Modern jazz band, spearheaded by mainstays Jay Beckenstein and Tom Schuman, continues its prolific recording streak after 31 years of making music."

Pat Metheny Group: "So May It Secretly Begin..."

 

With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument.

Pat Metheny Group: "So May It Secretly Begin..."

 

With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument.

Pat Metheny Group: "So May It Secretly Begin..."
With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument.
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 My Bio/Resume My Gallery Contact Me Stories/Thoughts/Quotes Black History   

Welcome to My New Home!!
I’m still putting the curtains up and everything, but I feel good about the place.
So please feel free…explore; let me know what ya think! I am an Artist..so I thought I would make this page an extension of my canvass. This shall be my work in progress. I have been married to a wonderful woman Karen for 30 yrs now, being the Father of 4 grown children; 3 daughters and a son. I am also the grandfather of 4 beautiful girls.

 

I was always considered shy and withdrawn as a child. I was drawn to Art at a very early age, owing the spark of my obsession to two young artists in my school named Al Lewis and Bobby Crochet. Both took me under their wings and showed me all they knew. I made my home at the school library, always coming home with a bounty of knowledge under my arms, seldom playing outside with the other children, opting instead to feed from the likes of Michelangelo and Raphael. My gift gave me a sense of purpose, doing a lot to lift my esteem.

 I was cursed with a young face that didn't help matters much. Being a black male you are expected to look like you just got out of prison. People always think they have me figured out, sometimes even talking down to me, for they think me to be their junior, rather than their peer or senior. I worked in mental Health for over 19 yrs before going on disability.

 

 I met the Lord in 1979 during a revival at the Philips Chapel COGIC;  a guest of my Mother. During the revival it was apparent to me that I was the victim of a scam (or so I thought) an effort to, Save me against my will? A conspiracy no doubt- I surmised. My mother must be in league with this Preacher from Arkansas. For how else could he know everything about me? How else could he be aware of my most intimate fears and failures? I was going to tell my Mom off as soon as the service was over. But God had other plans it seemed. For as the service continued I felt a Godly Sorrow, and conviction come over me, such as I have never felt before. I was pricked in my heart and my faith was made alive in him. It was on that evening that I met the Lord Jesus Christ. Guess I was wrong about my Mom. So this is me in short-
Michael Gibson

December 31, 2010:

 

Well I’m happy to announce I’ve been busy as a bee trying to make up for lost time. I’ve been blessed with an energy I haven’t felt in almost 6 years. I pray it lasts long enough for me to build up a body of work. You can catch any news or updates here and then visit my Gallery to view the latest piece. I finished a piece entitled, “Himba”, and I’ve kept my fingers limber by rendering sketches until I get around to getting the thing framed. I’m working on a new series of sketches inspired by the Turfin Dance Videos I saw on YouTube. I may do a piece based on these sketch ideas. Until next time… God bless!

February 5th 2011: New addition to the Gallery!

 

This is my first effort for 2011... An adolescent Himba Girl; roughed up a bit and rendered faster than the last pieces.

Hope you like...

Michael

 

 

 

March 22nd 2011: A few updates to the Gallery!!

Hope you like...

Michael

New for June 20th:

The Woman from Cheshire Avenue (Summer, 2011)

 

"In The Woman from Cheshire Avenue, Lilith Wells is a successful young black woman, and the daughter of a prominent local politician.  After a bizarre first encounter, she becomes the object of obsession to a Neo-Nazi from the streets." Ankhesen Mié

 

 

Thanks to Ankhesen Mié for the mention....

New for August...

Finished: The Headliner: Hard Pastel on Newsprint: 24"x36.

 

Im very proud of this piece. I took my inspiration from the 2006 film, Idlewild; summed up in the suave Jazz/Blues singer, Angel Davenport. Now as far as the stand-up bass player is concerned, I didn’t want him to just play that bass; I wanted him to own it. Notice how his left hand twists and bends the neck of the instrument to give off the sound of his choosing. This allowed me to highlight the finer aspect of the scroll (top of the bass), which to me is a standup bass’s crowning glory. Just click the image, to view the work as it progressed. Hope you like.

Michael

New for September:

Finished: The Jazz Lounge:

Sepia Hard Pastel on Newsprint: 24"x36"

Check it out in My Gallery- or just click the thumbnail.

New for November!

New For December!

Adija in Profile: Sepia Hard Pastel on Newsprint: 24"x36" Done at the behest of a friend.

Solo & Adija: Anniversary Portrait.
Finished: Solo & Adija 10th Anniversary: Sepia Hard Pastel on Newsprint: 24"x36"
 
Recently I've had the pleasure of rendering a piece for a friend. I was hesitant at first because I haven't done a portrait in some time. Secondly, I wanted it to reflect my take on things. I'm so in love with sculpture; particularly works from the Renaissance and the Baroque period. The polished- blank eyes of the subject are such a delight to me. Maybe its rooted in shyness, and my hesitancy to look people in the eye; I'm not sure. Please note, that up until about 2004, I've been rendering faces with the eyes intact; but as my style changes and evolves I'm compelled to follow the inner voice. I've decided that any-and-all future portraits that I do (unless compelled otherwise) will have the polished eye effect of sculpture. Personally I think it lends a regal- almost spiritual effect to the work. Almost every face I've rendered since 2004 has the eyes intact. But every work since I've started drawing again (after a six year hiatus) is without. I can never fully explain my changes in style but it happens over a period of years.  That's why my work changes from time to time in appearance. Presently I'm doing black and white pieces, when before all I did were color. Every color piece on my gallery page was rendered from 1982 up until 2004; starting with the Refugee. With the exception of the Himba piece; this was finished in 2010. The changes come without warning or reason. I just go with the flow. Each change in style marks my growth as an artist. You're welcomed to view the piece as it progressed from start to finish. Or click on the thumbnail to view the work. I hope you like it.
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